With both British and American publishers, could not break through their Story collection by Welty.(3) Even Ford Madox Ford, who pleaded her case In the course of six years, at least thirteen publishers rejected a Seller not only in length but also in style and subject. Welty was writing material that resisted the prescription of the best Rather than plot and the interior life rather than the exterior world. Her narratives contained little overt action and emphasized character The portions of their lives which were revealed in Her stories presentedĪtypical protagonists, common and unassuming, who lead quiet, Smaller scale in terms of character and action. Time when the mass market was devouring novels - created fiction on a Wrath).(2) By contrast, Welty - whose forte was the short story at a Sagas (e.g., Shadows on the Rock, Maid in Waiting, and Grapes of Robe, Forgive Us Our Trespasses, The Keys of the Kingdom) and family Good Earth, Lost Horizon, Night in Bombay) religious novels (e.g., The Magnificent Obsession) novels with exotic settings and plots (e.g., The
Gone with the Wind) psychological melodrama (e.g., Back Street and Novel (e.g., Anthony Adverse, Drums Along the Mohawk, Northwest Passage, Hackett's best-seller lists for 1930-1945 - compiled from Theīookman, Publisher's Weekly, and Books of the Month (later Bowkerīook Guides) - reveals the public's preference for the historical Magazine and book editors, pre-war jitters were forcing publishers andīooksellers to rely on proven lists.(1) A perusal of Alice Payne By the time the unknown Welty began sending her work to Short-story collection A Curtain of Green, was published by Doubleday,ĭoran, but not without considerable frustration and disappointment for On November 7, 1941, Eudora Welty's first book, the APA style: 'A Curtain of Green': Eudora Welty's auspicious beginning.'A Curtain of Green': Eudora Welty's auspicious beginning." Retrieved from 1992 Mississippi State University 16 Nov.
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